Free PDF Art Photography Now (Second Edition), by Susan Bright
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Art Photography Now (Second Edition), by Susan Bright
Free PDF Art Photography Now (Second Edition), by Susan Bright
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“An essential book for anyone interested in contemporary photography.”—ArtReview
Now revised and expanded, this essential survey presents the work of eighty of the most important artist-photographers in the world.The book is divided into seven sections—Portrait, Landscape, Narrative, Object, Fashion, Document, and City—that explore the diverse subjects, styles, and methods of the leading practitioners. Introductions to each section outline the genres and consider why photographers are attracted to certain themes, and how issues like memory, time, objectivity, politics, identity, and the everyday are tied to their approaches. Each photographer’s work is accompanied by Susan Bright’s commentaries and by quotations from the artist.
Leading artists such as Andreas Gursky, Cindy Sherman, Sophie Calle, Nan Goldin and Martin Parr, Gregory Crewdson, Candida Ho�fer, Gabriel Orozco, and Wolfgang Tillmans are featured alongside emerging international figures, including Viviane Sassen, LaToya Ruby Frazier, and Leigh Ladure. The introduction explores the historical relationship between art and photography from the early nineteenth century, and a new final chapter looks at the changes photography has undergone in recent years. 254 full-color and 21 black-and-white photographs
- Sales Rank: #359535 in Books
- Published on: 2011-10-24
- Original language: English
- Number of items: 1
- Dimensions: 1.09" h x .8" w x .92" l, 2.60 pounds
- Binding: Paperback
- 240 pages
From Publishers Weekly
Andy Warhol looms larger than Alfred Stieglitz over this survey of contemporary photographers, who tend to be more preoccupied with popular and commercial imagery than traditional fine art photography. With their digital manipulations and cinematically constructed narratives, many of them unabashedly embrace flashy artifice over sober documentation. Not that Bright, a former curator of the National Portrait Gallery in London, tries to categorize the messy vitality of contemporary photography into any clearly labeled trends. She divides the 80 mostly British and American photographers into seven thematic chapters that allow for wide latitude. "Portraits," for example, includes both Zwelethu Mthethwa's straightforward images of South African migrant workers and Gillian Wearing's photos of herself dressed as several of her own family members. While Bright's own commentary follows the ponderous style adopted by curators everywhere, she gives equal room to the words of the photographers themselves, who often provide insight without even trying. Cindy Sherman, whose 1980s photographs of herself masquerading as movie stars and historical characters set the stage for much of the work in this book, says, "I didn't know where [my art] was coming from. So I thought I had better not say anything or I'd blow it." (Nov.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“A strong pick for anyone who wants to understand the art of photography and its full potential as a medium, highly recommended.” (The Midwest Book Review)
“Unusual for a book of photography, the reader may take away more from the text than from the images themselves.” (Photoshop User)
About the Author
Susan Bright has contributed to numerous publications and is the author of Auto Focus: The Self-Portrait in Contemporary Photography and Art Photography Now. She currently lives and works in New York.
Most helpful customer reviews
31 of 32 people found the following review helpful.
A trip to 80 (good) art galleries in a single book
By Chris Kitze
It is difficult to find good contemporary photography overviews -- typically, you could go to galleries or museums for several years or buy a stack of art photography books and spend days going through them -- assuming you had a strong Art background. This book offers a nice alternative and it is one of the best overviews of contemporary fine art photography available.
Aperture, a respected photography publishing house, has beautifully produced this handsome book with 80 of what they consider to be the best living and working art photographers. The selection is broad, encompasses many areas and is well organized into 7 sections from Portrait to City. Several works from each artist are presented along with a short description of an artist's Work from a curator's perspective. Even more valuable are quotations from each artist describing their Work from their perspective. This alone makes the book worth owning.
Photographers you might know; Cindy Sherman, Thomas Ruff, Gregory Crewdson, Jeff Wall, Uta Barth, Joel Sternfeld, Thomas Demand and many others are alongside people you have probably never heard of but should get to know. The coverage of the cinematic, self exploration/psychological, conceptual and to some extent digital influences presented here should be thought provoking. Clearly, the "digitalness" of photography as a medium and all that implies -- interaction and collaboration, manipulation and realism, and authenticity and authority -- is growing in importance and will no doubt be better covered in the future as those artists emerge.
There are only two omissions that would have been interesting to see included; artists such as Gerhard Richter, best known for his painting and who uses photography extensively -- and some of the newest up and comers, like Idris Khan. To be fair, those areas are rich enough to support separate books and you should not let this keep you from buying this book. Overall, this is an excellent way to quickly learn about contemporary photography and you will not be disappointed.
24 of 29 people found the following review helpful.
Much more than your usual photography exhibition
By Midwest Book Review
Photography not only shaped art in the last century, it dominated it - and what better to demonstrate and celebrate this domination than Susan Bright's Art Photography Now, which surveys eighty of the most important and influential contemporary artist-photographers working today. Seven sections are divided by photo type: portrait, landscape, fashion, etc., and each explores and contrasts methods used by artists in their genres. Not only are styles compared, but inspirations and different philosophical and artistic approaches shared. Much more than your usual photography exhibition, Art Photography Now seeks an explanation of the nature and purposes of contemporary art photographers.
7 of 7 people found the following review helpful.
2011 Edition Improved from the 2005 Edition, But Selections of Photographers and Photographs Are Not Optimal
By ReviewerWhoPrefersToBeAnonymous
I compared this 2011 "Revised and Expanded Edition" with the first edition of 2005. As with the first edition, the stated goal of this edition is to "explore the diverse subjects, styles and methods of the leading practitioners" of art photography. After a 12-page Introduction, the book is divided into seven sections: Portrait, Landscape, Narrative, Object, Fashion, Document, and City. A three-page essay introduces each section, which covers about 10 photographers with 1-4 pages devoted to each photographer. In these 1-4 pages are photo(s), a paragraph by the author in ALL CAPS, and a quotation from the photographer up to a few paragraphs in length. The photographers given more than two pages are AES&F, Tina Barney, Gregory Crewdson, Katy Grannan, Rut Blees Luxemburg, Susan Meiselas, Richard Misrach, Allen Sekula, Hannah Starkey, Joel Sternfeld, Larry Sultan, and Jeff Wall.
The major differences between this edition and the first edition are: (1) it's published by Thames & Hudson, not Aperture; (2) it has 240 pages and 275 illustrations, as opposed to 224 pages and 261 illustrations; (3) it's paperback, not hardcover; (4) there are new selections of photos and/or new quotations for Gregory Crewdson, Bill Henson, Candida H�fer, Justine Kurland, Boris Mikhailov, Gabriel Orozco, Mario Sorrenti, Hannah Starkey, Wolfgang Tillmans, Hellen van Meene, and Jeff Wall; and (5) there is a new "Transitions" section (pages 218-231) with subsections "Photography About Photography," "Documentary Drive," and "New Directions." Overall, then, the book is slightly improved from its predecessor.
The book is certainly well-printed and nicely laid out. However, I think it spends too much space on some photographers who are not very noteworthy, such as Camille Vivier and Jonathan De Villiers. The book could have covered photographers such as Stephen Gill, Anthony Goicolea, Rinko Kawauchi, An-My L�, Barbara Probst, Alec Soth, and Jules Spinatsch instead. Furthermore, in order to "explore... diverse subjects, styles and methods" it would have been better for one photo from each of several of a photographer's different series to be presented instead of several photos from one series. Take Sam Taylor-Wood on pages 30-31; although she is known for many series, such as "Crying Men," "Soliloquy," and "Bram Stoker's Chair," the book contains only five rather repetitive photos from her 2004 "Self-Portrait Suspended" series. Four of Richard Misrach's "On the Beach" photos appear on pages 56-59, possibly leaving the reader to wonder what his much more famous "Desert Cantos" photos look like.
With its limitations in mind, buy this book from Amazon.com!
BTW, unlike a reviewer of the first edition, I didn't miss the exclusion of artists using photography such as Gerhard Richter. Also, I disagree with another reviewer who wrote that "the work doesn't vary much from artist to artist... [and it is] trendy, elitist, high-priced commodity under the guise of art." Finally, the book gives us more than "a potpourri of unrelated photographs" as a third reviewer wrote.
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