Katinhanta: July 2013

Tuesday 30 July 2013

[N681.Ebook] Get Free Ebook A Virtue Epistemology: Apt Belief and Reflective Knowledge, Volume I, by Ernest Sosa

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A Virtue Epistemology presents a new approach to some of the oldest and most gripping problems of philosophy, those of knowledge and skepticism. Ernest Sosa argues for two levels of knowledge, the animal and the reflective, each viewed as a distinctive human accomplishment. By adopting a kind of virtue epistemology in line with the tradition found in Aristotle, Aquinas, Reid, and especially Descartes, he presents an account of knowledge which can be used to shed light on different varieties of skepticism, the nature and status of intuitions, and epistemic normativity.

Sales Rank: #1329017 in Books
Published on: 2009-08-31
Original language: English
Number of items: 1
Dimensions: 5.30" h x .60" w x 8.40" l, .50 pounds
Binding: Paperback
168 pages

Review

"Those interested in Sosa's epistemology will find it presented more clearly and in more detail herein than anywhere else."--N.D. Smith, CHOICE

"If you are interested enough in epistemology to be reading this review, then you must read the marvelous book being reviewed.... His virtue epistemology provides an answer to the question what knowledge is..."--Ram Neta, otre Dame Philosophical Reviews

"Arguably the single-most important monograph to be published in analytic epistemology in the last ten years.... A Virtue Epistemology is an outstanding book and a tremendous contribution to the field."--Heather Battaly, Analysis Reviews

About the Author
Ernest Sosa is Professor of Philosohpy at Rutgers University.

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18 of 18 people found the following review helpful.
Virtue Epistemology
By Lee Goldsmith
If you are looking into this book you should already have a working knowledge of the vocabulary and problems one uses and faces respectively while investigating what we know and how we know it. In this book Sosa takes a rare approach to the usual questions raised in epistemology: skeptical challenges to knowledge, the things we are most closely acquainted with, and what counts as knowledge over and above true belief. For an epistemologist, his strong stance that knowledge is a performance (possibly even a performance that necessarily requires more than one person, but that is a matter of interpretation) calls for consideration and response. Bear in mind before purchase that his arguments are brief but thorough, which means he uses many condensed phrases that require close atention.

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Monday 29 July 2013

[A843.Ebook] Fee Download Fight the Power! The Spike Lee ReaderFrom Brand: Peter Lang International Academic Publishers

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Shelton Jackson �Spike� Lee is one of the most culturally influential and provocative film directors of the twentieth and twenty-first centuries. Bringing together seminal writings - from classic scholarship to new research - this book focuses on this revolutionary film auteur and cultural provocateur to explore contemporary questions around issues of race, politics, sexuality, gender roles, filmmaking, commercialism, celebrity, and the role of media in public discourse.
Situating Lee as an important contributor to a variety of American discourses, the book highlights his commitment to exploring issues of relevance to the Black community. His work demands that his audiences take inventory of his and their understandings of the complexities of race relations, the often deleterious influence of media messages, the long term legacy of racism, the liberating effects of sexual freedom, the controversies that arise from colorism, the separatist nature of classism, and the cultural contributions and triumphs of historical figures.
This book seeks to stimulate continued debate by examining the complexities in Lee’s various sociopolitical claims and their ideological impacts.

Sales Rank: #1883092 in Books
Brand: Brand: Peter Lang International Academic Publishers
Published on: 2008-11-12
Original language: English
Number of items: 1
Dimensions: 9.06" h x .90" w x 6.30" l, 1.35 pounds
Binding: Paperback
417 pages

Features

Used Book in Good Condition

Review
�This book is a solid contribution to the body of work about African Americans and popular culture, with a rich mine of information for scholars of mass media and of intergroup relations.� (Jannette L. Dates, Howard University)
�This volume presents an intelligent, rigorous, and comprehensive collection of scholarship that examines Spike Lee’s work. It leaves little untouched. Sexuality, colorism, film music scores, art and set design, the intersection of his personal life with his professional craft, and even a Foreword from Lee himself; it is all here. All of this scholarship carefully deconstructs one of the nation’s most provocative cultural contributors. Do the right thing and read this book.� (JoEllen Fisherkeller, New York University)

About the Author
The Editors: Janice D. Hamlet is Associate Professor in the Department of Communication at Northern Illinois University. Her current research focuses on African American rhetoric with an emphasis on womanist theology, ethnographic studies, rhetoric and spirituality, and intercultural communication. She is editor of Afrocentric Visions: Studies in Culture and Communication and has published in various journals including The Journal of Black Studies.
Robin R. Means Coleman is Associate Professor at the University of Michigan where she holds joint appointments in the Department of Communication studies and the Center for AfroAmerican and African Studies. Her research focuses on the cultural impact of media and popular culture upon diverse communities. She is author of African American Viewers and the Black Situation Comedy: Situation Humor and editor of Say It Loud! African American Audiences, Media, and Identity.

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0 of 1 people found the following review helpful.
fine product
By D. DUNN
it met my expectations...was a book for my college son...he seems to be using it fine with no complains for now

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Sunday 21 July 2013

[F253.Ebook] Ebook Music at the Gonzaga Court in Mantua, by Donald Sanders

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Beginning in the second half of the fifteenth century, under the patronage of the Gonzaga family, the northern Italian city of Mantua became a vibrant center for visual art, theatre, and music. The performance at the Gonzaga court of Poliziano's Fabula di Orfeo, around 1480, marked the beginning of secular music theatre. The use of musical numbers within the drama anticipated the beginnings of opera at Florence a century later, as well as the first masterpiece of the genre, Monteverdi's La favola d'Orfeo at Mantua in 1607. Mantua reached the zenith of its artistic distinction during the reign of Duke Vincenzo I, between 1587 and 1612. During this time, Wert and Gastoldi were joined at the court by the important Jewish composer Salamone Rossi and, most notably, by Monteverdi. The premieres of his Orfeo and Arisanna made the Gonzaga court, for that brief period, the most important center in the development of opera.

In Music at the Gonzaga Court in Mantua, Donald C. Sanders discusses musical composition at the court in the context of the brilliant visual art that provided such a conducive environment. Sanders also traces the history of this very colorful family and their relationships with the emperors, kings, and popes who shaped modern Europe. Part history, part musicology, Sanders' analysis spans the fifteenth century through the seventeenth century, filling informative gaps with details essential for students in courses on Renaissance or Baroque music, or in more specialized courses on madrigal, opera, or liturgical music. Music at the Gonzaga Court in Mantua is also important reading for knowledgeable musical amateurs and anyone with interest in Italian history and arts.

Sales Rank: #5171469 in Books
Published on: 2012-03-22
Original language: English
Number of items: 1
Dimensions: 9.16" h x .84" w x 6.22" l, 1.05 pounds
Binding: Hardcover
200 pages

Review
The author provides...many interesting stories of intrigue, deception, and humor in sixteenth-century Italian musical life, and the acquisition for instruments, singers, and composers. (Sixteenth Century Journal)

Sanders has combed the considerable literature on Mantua and sifted through archival records, weaving them into a fascinating account of the city’s musical life during the glory years of the ‘long’ sixteenth century, all in the context of political, ecclesiastical, and intellectual developments of the time. It is certain to find a place alongside classic studies of the subject. (Linda P. Cummins, Coordinator of Musicology, University of Alabama)

Mantua has long been known as one of the great intellectual and artistic centers of the Italian Renaissance. Now Donald Sanders places musical composition and performance in this context, in a thoroughly researched and engagingly written account centering on the period from the 1490 marriage of Francesco II and Isabella d’Este through the Counter-Reformation to the creation of opera at the time of Monteverdi. It is at once a scholarly achievement and a good read. (Jan Herlinger, Louisiana State University)

About the Author
Donald C. Sanders is professor of music and Chairperson of Keyboard and Academic Studies in the School of the Arts at Samford University in Birmingham, Alabama.

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0 of 0 people found the following review helpful.
A special book for those with special interests
By GDP
'Music at the Gonzaga Court in Mantua' is a terrific book if you are devoted to the birth of opera, other early music, or are focused upon the Italian Renaissance, but it may test the patience of general readers. Author Sanders takes a detailed look at the court in Mantua where music flourished under the patronage of the Gonzaga's (who ruled the city and territory for nearly 400 years, c. 1300-1700).

The family rose to prominence "the old fashioned way" - as warriors and mercenaries, subsequently attaining noble status through deft diplomacy and a flair for pageantry (as well as a cash payment to the emperor, of course). Ultimately there were ten Dukes of Mantua from the Gonzaga clan (and more than a handful of cardinals). Throughout, the Mantua court was an active supporter of both sacred and secular music - although the level of that support rose and ebbed depending upon the predilection of the ruling Duke (or sometimes, as importantly, the Duchess), as well as the depth of financial resources available to them.

All families have their "delicate" moments, and the Gonzaga's have their share of episodes that would be right at home in a Puccini opera - including fratricide and one very odd pre-nuptial requirement.

Integral to the tale is the relationship between nearby courts of Este Ferrara and Medici Florence, which cooperated and competed with one another through their patronage of arts (symbiosis with an edge). Accomplished musicians and vocalists would be "loaned" to one another at the same time that rival courts would attempt to establish eminent status through the sponsorship of musical productions (the most elaborate generally associated with marriages between dynastic families). Magnanimity must be a variation of conspicuous consumption in some cases.

Of course musical Mantua is probably most renown for being one of the principle homes of Claudio Monteverdi (1567-1643), who primarily served Vincenzo I, Duke of Mantua during his reign of 1587-1612. Vincenzo was a bit of a free spender who also vigorously supported the visual arts (Peter Paul Rubens was the court painter in 1600-1608) which, along with his other pursuits, pretty much emptied the treasury by the end of his reign. It was during this period that Monteverdi composed his 'La favola d'Orfeo' (1607) and his 'Vespers of 1610' - money well spent, don't you think?

The book reveals transitory periods (e.g., the Counter-Reformation), musical styles, composers, singers, and musicians of Mantua, and that led to, at a special time, the circumstances for the creation of what is generally considered the first "great" opera, Monteverdi's 'Orfeo'. The discussion comparing this 'Orfeo' to one of it's operatic predecessors, Peri's 'Euridice', is enlightening, and nicely articulates the specialness of each. The entire commentary on Monteverdi and his work is worthwhile.

Like all good history books, this one provides a deep and satisfying view of its subject, in this case one of the petri dishes that helped spawn opera. It provides a reader with a better appreciation of the texture of a consequential time and place in the history of music.

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Friday 12 July 2013

[F475.Ebook] Download Ebook Armed Conflicts and the Law (International Law), by Jan Wouters, Philip De Man, Nele Verlinden

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This book offers a comprehensive yet concise take on the legal regulation of the various phases in the complex cycle of armed conflicts, from prevention to reconstruction, and covering everything in between, in particular, the vast body of rules laid down in current international humanitarian law. It combines a general theoretical approach with modern practice in order to offer a complete picture of the law before, during, and after warfare. Through a series of thematic chapters that logically follow from one to another, the book tackles core issues relating to the international regulation of armed conflicts, while situating them in a broader societal context. Particular attention is given to the emergence of the European Union as an increasingly important regional and global player in international peace and security. In combination with the broad scope and accessible nature of volume, the experience and ambition on display makes it a unique reference tool for students, scholars, practitioners, civil servants, diplomats, and humanitarian/human rights workers around the globe. It is complemented by, and a helpful companion to, Jan Wouters's and Philip De Man's Humanitarian and Security Law: A Compendium of International and European Instruments [ISBN 978 1 78068 051 4 (2012)]. (Series: International Law - Vol. 17) [Subject: International Law, EU Law, Humanitarian Law]

Sales Rank: #3242523 in Books
Published on: 2016-03-10
Original language: English
Number of items: 1
Dimensions: 9.50" h x 1.70" w x 6.50" l, .81 pounds
Binding: Hardcover
572 pages

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Monday 8 July 2013

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Sales Rank: #152189 in Books
Published on: 1983-05
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 9.75" h x 7.50" w x 1.00" l,
Binding: Hardcover
522 pages

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3 of 8 people found the following review helpful.
Jenney's First Year Latin (the Allyn and Bacon Latin program) English and Latin edition
By Mary Celeste Brown
My children have been tutored for Latin through their middle and high school years. This is a clearer way to learn Latin than is currently taught in the schools, and one that is preferred by their excellent tutor for beginners. I highly recommend the book.

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Sunday 7 July 2013

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Published on: 1600
Binding: Paperback

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