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October (BFI Film Classics), by Richard Taylor
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In this book, Richard Taylor asks to what extent the film can lay claim to "authentic" history. He then examines October's relationship to the politics of the period and explains the theory and its application, as well as placing October in the wider context of Eisenstein's career.
- Sales Rank: #3259866 in Books
- Brand: Brand: British Film Institute
- Published on: 2002-04-26
- Released on: 2008-01-22
- Original language: English
- Number of items: 1
- Dimensions: 7.19" h x .27" w x 5.76" l, .37 pounds
- Binding: Paperback
- 97 pages
- Used Book in Good Condition
From the Back Cover
Sergei Eisenstein's "October" (1927) is a testament to his technical genius, as well as being one of the most remarkable works of propaganda cinema. With sequences such as the storming of the Winter Palace, Eisenstein recreated the 1917 October Revolution as a heroic spectacle, thus furnishing the fledgling Soviet Union with its founding myth. In this analysis of "October," Richard Taylor asks to what extent the film can lay claim to "authentic" history. He then examines "October"'s relationship to the politics of the period and its contribution to the reinforcement of the Lenin cult and the emergent Stalin cult. Taylor explains both the theory and its application before situating "October" in the wider context of Eisenstein's career.
About the Author
Richard Taylor is Professor of Politics at the University of Wales Swansea and general editor of the five-volume�BFI edition of Eisenstein Writings, including The Eisenstein Reader (1998).
Most helpful customer reviews
0 of 0 people found the following review helpful.
Helps To Illuminate the Obscure
By Dash Manchette
How clueless was I about the movie October? This clueless: I did not even know it was a silent movie until I actually started watching it. But I had heard of filmmaker Sergei Eisenstein before and knew that October was about the Soviet Revolution. Based on that alone, I picked up this book before watching the movie.
Different than what I expected, true, but the movie was still worthwhile. And this book by Richard Taylor made the experience quite a bit better. Both the silent format of the film as well as multiple references in the movie that are obscure to modern American audiences (not the target audience of October, to be certain) made the initial viewing rather difficult. I may know something of the October Revolution, but not that much, and Eisenstein’s film to commemorate the tenth anniversary contains quite a lot of images and references that Russian viewers of the day could reasonably be assumed to know. This book provided significant guidance that allowed me better sort out what I was seeing.
For example, Eisenstein made heavy use of intellectual montage, in which a series of images were used to convey a single idea. This explained numerous such sequences in the movie, such as the use of religious imagery to convey the idea that religion was in cahoots with the oppressive government and out of touch with the masses.
The book also provided some explanation of less significant figures relevant to the revolution that also provided for a deeper understanding. It is this contextualization that makes this BFI worthwhile. In all, not a bad contribution to the BFI library.
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